Voice Teaching

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In a master class with soprano Susan Watkins, at the Centre for Opera Studies in Italy

In the voice studio and practice room, you discover and grow – until you do it like you’ve known it all along.

It is incredibly satisfying to sing well and effectively share what is real and fantastical. In revealing the world’s emotions and stories with music and text, and in building and balancing your skills, you go “from awkward to awesome.”  This is the making of you as an artist.

 PERFORMANCE TRAINING! These cast members of The Yeomen of the Guard each boosted their effectiveness with "A-ha! moments" for themselves and each other - before a delighted audience. Back left: Darryl Edwards (conductor), James Sandau, baritone, Suzy Smith, pianist, Matthew Dalen, tenor, Bradley Christensen, baritone. Front left: Clarence Fraser, baritone, Charlotte Burrage, mezzo-soprano, Alyssa DiMarco, soprano, Kristina Agur, soprano, Matthew Cairns, tenor, Sydney Baedke, soprano.

PERFORMANCE TRAINING! These cast members of The Yeomen of the Guard  boosted their effectiveness with “A-ha!” moments for themselves and each other – before a delighted audience. Back left: James Sandau, baritone, Suzy Smith, pianist, Matthew Dalen, tenor, Bradley Christensen, baritone. Front left: Clarence Fraser, baritone, Charlotte Burrage, mezzo-soprano, Alyssa DiMarco, soprano, Kristina Agur, soprano, Matthew Cairns, tenor, Sydney Baedke, soprano.

 

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James Sandau, baritone, sings Mozart’s “Der Vogelfänger bin ich, ja” with an impromptu pan pipe, to the amazement and amusement of his collaborative pianist, Narmina Efendiyeva.

 

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